Théodore Géricault, Six studies for Corréard and Savigny in the "Raft of the Medusa", before 1818, Black chalk, some stumping, New York, Metropolitan Museum of Art.

Théodore Géricault, Study for the Raft of Medusa, 1818, charcoal on paper, Paris, Musée du Louvre.

Eugène Delacroix, Illustration for Goethe's Faust, ca. 1825-1827, pencil on beige paper, Paris, Musée du Louvre.

John Constable, Dedham Vale from Langham, between 1830 and 1831, graphite on medium, slightly textured, cream wove paper, New Haven, Yale Center for British Art.

Eugène Delacroix, Figure Studies Related to "Liberty Leading the People", 1830, pen and brown ink, brown wash, New York, Metropolitan Museum of Art.

Thomas Cole, The Fountain, No. 1: The Wounded Indian Slaking his Death Thirst, 1843, graphite and white gouache on green wove paper, New York, Metropolitan Museum of Art.

Daniel Huntington, Drawing Study for "Sacred Lesson", 1843, graphite, grey wove paper, New York, Cooper Hewitt, Smithsonian Design Museum.

Joseph Mallord William Turner, Lucerne from the Lake, 1845, watercolor over preliminary traces of pencil, New York, the Morgan Library and Museum.

Eugène Delacroix, Apollo Slays Python, ca. 1850, graphite on paper, Paris, Musée du Louvre.

John Ruskin, Loggia of the Ducal Palace, Venice, ca. 1849 – 1850, watercolour over graphite, New York, The Metropolitan Museum of Art.

Dante Gabriel Rossetti, The Loving Cup - Compositional Study, 1867, pencil on paper, Birmingham, Museums and Art Gallery.

Frederic Edwin Church, Narrow Valley, 1868, pencil on paper, New York, Cooper Hewitt, Smithsonian Design Museum.

Eugène Emmanuel Viollet-le-Duc, The Artist Sketching While Trapped in a Crevasse, 1870, watercolour heightened with gouache, Private Collection.

Edward Burne-Jones, Desiderium, 1873, London, Tate Britain.