![Kasimir Malevich, Untitled [Nakov S-472], ca. 1915, pencil on paper, Sydney, Art Gallery of New South Wales.](https://images.squarespace-cdn.com/content/v1/5ced36ad9fb4bd00016b8138/1569360768080-6NQH4WLLWPGILKUAAZY8/Kasimir_Malevich_-_Untitled_-_Google_Art_Project_%28cropped%29.jpg)
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Piet Mondrian, Church Façade 1: Church at Domburg, 1914, pencil, charcoal and ink on paper, The Hague, Gemeetemuseum.
Georgia O'Keeffe, Drawing XIII, 1915, charcoal on paper, New York, Metropolitan Museum of Art.
Kasimir Malevich, Untitled [Nakov S-472], ca. 1915, pencil on paper, Sydney, Art Gallery of New South Wales.
Theo van Doesburg, Final Colour Design for Wall with Gallery for the Ciné-Dancing of the Aubette, 1927, pencil, gouache and Indian ink on heliography , Amsterdam, Rijksmuseum.
Leo Gestel, Boom met Vogels, 1935, ink on paper, Amsterdam, Rijksmuseum.
Pablo Picasso, Weeping Woman, 1937, graphite and crayon on paper, London, Tate.
© Succession Picasso/DACS, London 2019 / Photo © Tate
Henry Moore, Shelterers in the Tube, 1941, graphite, ink, watercolour and crayon on paper, London, Tate.
Ashile Gorky, Composition II, 1943, pencil, Private Collection.
Here Gorky adopts the surrealist practice of automatic drawing, resulting in the thin, quick and irregular lines characteristic of his drawing practice from this period.
Albert Sirk, Self-Portrait, before 1947, chalk on paper, Private Collection.