SURREALISM
One of Surrealism’s most interesting contributions to draughtmanship was automatic drawing. Pioneered by the English occultist Austin Osman Spare, the practice was used extensively by Surrealist artists such as André Masson (1896-1987), Joan Miró (1893-1983), Paul Klee (1879-1940), and Salvador Dalí (1904-1989). Making marks in an accidental, random fashion, their intention was to free drawing from rational control and access the subconscious. Nevertheless, many of the finished works produced as automatic drawings are loosely representational, suggesting that artists found it difficult to leave the results entirely to chance.
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Exquisite corpse (Cadavre exquis in French) is a collaborative drawing approach first used by surrealist artists to create bizarre and intuitive drawings. Invented in 1925 in Paris by the surrealists Yves Tanguy, Jacques Prévert, André Breton and Marcel Duchamp, it was a sort of game in which each artist-player drew a part of the body, folded it over, and passed it on to the next player who continued without knowing what was represented in the previous drawing.