The Practice of Drawing
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| MEDIEVALRENAISSANCE1600–1900 MODERNLEARN MORE
The Practice of Drawing
Marlene Dumas, Magdalena, 1996, ink on paper, New York, MOMA.
Marlene Dumas, Magdalena, 1996, ink on paper, New York, MOMA.

Marlene Dumas, Magdalena, 1996, ink on paper, New York, MOMA.

© 2019. Digital image, The Museum of Modern Art, New York / Scala, Florence

The publisher has made and is making its best efforts to clear all the image copyrights. Copyrights holders are invited to get in touch with the Publisher where it has not been possible to trace them.

Sonia Boyce, Missionary Position, 1985, watercolour, pastel and crayon on paper, London, TATE.

Sonia Boyce, Missionary Position, 1985, watercolour, pastel and crayon on paper, London, TATE.

Boyce: © Sonia Boyce. All Rights Reserved, DACS 2019 / Photo © Tate

Jenny Saville, Reproduction Drawing IV (After the Leonardo Cartoon), 2010, charcoal on paper, London, Gagosian.

Jenny Saville, Reproduction Drawing IV (After the Leonardo Cartoon), 2010, charcoal on paper, London, Gagosian.

© Jenny Saville. All rights reserved, DACS 2019. Courtesy the artist and Gagosian.

Anselm Kiefer, Hortus Philosophorum, 2010, photograph, black and white, on paper with paint and chalk, London, TATE.

Anselm Kiefer, Hortus Philosophorum, 2010, photograph, black and white, on paper with paint and chalk, London, TATE.

Photo © Tate

The publisher has made and is making its best efforts to clear all the image copyrights. Copyrights holders are invited to get in touch with the Publisher where it has not been possible to trace them.

Gerhard Richter, 5.Aug.2015, 2015, pencil on paper.

Gerhard Richter, 5.Aug.2015, 2015, pencil on paper.

© Gerhard Richter 2019 (26092019)

William Kentridge, Sleeping on Glass: This Is How The Tree Breaks, 1999, etching with soft ground aquatint and coloured pencil crayon, London, TATE Modern

William Kentridge, Sleeping on Glass: This Is How The Tree Breaks, 1999, etching with soft ground aquatint and coloured pencil crayon, London, TATE Modern

Courtesy William Kentridge and Goodman Gallery © Tate

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Marlene Dumas, Magdalena, 1996, ink on paper, New York, MOMA.
Sonia Boyce, Missionary Position, 1985, watercolour, pastel and crayon on paper, London, TATE.
Jenny Saville, Reproduction Drawing IV (After the Leonardo Cartoon), 2010, charcoal on paper, London, Gagosian.
Anselm Kiefer, Hortus Philosophorum, 2010, photograph, black and white, on paper with paint and chalk, London, TATE.
Gerhard Richter, 5.Aug.2015, 2015, pencil on paper.
William Kentridge, Sleeping on Glass: This Is How The Tree Breaks, 1999, etching with soft ground aquatint and coloured pencil crayon, London, TATE Modern