The Practice of Drawing
 

Drawing since the Second World War has been employed by many artists to experiment and develop ideas relating to content and form. Decolonisation, globalistion, and the rise of movements such as Civil Rights, Feminism and Gay Liberation, have meant that drawing as an artform has become more political, exploring questions of collective responsibility, power, and personal and communal identity. At the same time artists have pushed the boundaries of what it means to draw, using new media and supports in often surprising combinations and challenging long-held ideas about what constitutes an authentic and autonomous work.

 

 POSTWAR

 

The trauma of the World War II and the Cold War which followed profoundly affected ideas about art and progress. Some artists, such as Joseph Beuys (1921-1986), made work about their experiences during the war, radically politicising the role of art in society. Others, such as the Abstract Expressionist Jackon Pollock (1912-1956), sought a new type of art which would counter man’s darker instincts and irrationality. Pop Art challenged traditions of what constitutes art to includes imagery from popular culture and advertising. Francis Bacon (1909-1992) and Lucian Freud (1922-2011) rejected the idealisation of the human form, seeking to express in their portraits the inner workings of the human psyche. Artists also began to explore identity politics, for example in the representations of Black America by the African-American Charles White (1918-1979), and in the references to gender, sexuality and the body in the works of Louise Bourgeois (1911-2010).

 

 CONTEMPORARY

 

Contemporary artists continue to explore in their drawings ideas about sexuality, gender, race, and power. Missionary Position II by Sonia Boyce OBE (b. 1962), for example, reflects on British society in the 1980s and conflicting opinions about religious beliefs across generations and cultures. Many artists also consider the act of drawing itself, sometimes testing its boundaries. Anselm Kiefer (b. 1945) employs drawing in combination with other techniques and a range of media. Jenny Saville (b. 1970), in the drawing shown here, draws into a reproduction of a cartoon by Leonardo da Vinci. Gerhard Richter (b. 1932) called a recent show of drawings based on tracings of slides of photographs, “Lines which do not exist”. William Kentridge (b. 1955) employs different media and techniques to superimpose images and words onto the pages of old books.